![]() ![]() So I think you really need native and UAD to get the best of everything if you work on rock-based stuff that didn’t have all the tracks recorded in the best places. If I took that out and replaced it with something else, the whole thing fell apart. Cranesong, Punish, DS-1, Oxford Limiter, EC-300, NR-800, Tube Tech MK II, Envolution, and Autotune 5 to name a few. That said, there’s still quite a few native plugins that are vital to making my uad mixes work. They saturate so well that getting stuff to sit in the mix is much easier. Universal Audio Apollo Twin X DUO Heritage Edition has the best UAD plugins for recording, mixing, or mastering. This best UAD plugin has increased audio performance, an augmented audio version, and innovative design. UAD plugs tend to sound full and complete, instead of thin. One of the best UAD plugins is the Universal Audio Apollo Twin X DUO Heritage Edition. I’ve tried to equal or better my UAD mixes using just native when the Octo is out of commission and I’ve yet to figure out that formula. The UAD plugins are so good that they can take the place of several native plugins depending on what I needed. My hope was that the dsp would have allowed my desktop to reach 9900k levels of power, but that’s ok. People have pointed out that UAD uses more native cpu the more UAD plugins you load and that has been my experience. ![]() It was pretty much rock solid for 4 and a half months and hopefully the issue is sorted soon. My usb Octo can be very iffy on AMD or Intel. The collective experiences of the various forums is that AMD Ryzen isn’t giving anyone problems anymore though. If you’re running anything AMD, I guess the official position is that there’s some compatibility problems. I prefer some native over uad such as Satin over the 102, Tapedesk over the Studer, and the BX SSL E. Ocean Way(watch the video of the guy using remic mode on an aux with pre-fader sends) The rest depends on your taste and needs, but I wouldn't want to be without those plugs, especially the ATR-102. I happen to have a few 1176 style plug-ins from other companies, the Waves CLA 1176 actually works better than my UAD 1176 for taming acoustic guitar strums. I have both, but use the LA2A much more often. ![]() hmm.I'd say compression, the LA2A or 1176's are very good. Or you could get the Lexicon XL480 and wait for a Sound Toys sale to get the Little Plate for $29 instead of $99. I use the Sound Toys Little Plate more than I use the EMT-140 these days, so you could save money and dsp. You are guaranteed a classic plate reverb. Next, although I now use the Liquid Sonics 7th Heaven as my go to reverb, you can't go wrong with UAD's EMT-140. I'm quite judicious and rarely push it hard. I use either the 30 ips mastering preset or the Smooth Vocal preset, turn noise completely off, and adjust input and output to taste. Without overdoing it, tracks come to life. First and foremost, the Ampex ATR-102 has been first on my 2 bus since then and has never left, not once for any mix ever. I've had an Apollo since the day they came out and will only mention the plug-ins I've found essential. Of course when you ask this kind of question, you'll get dozens of different answers and potentially be more confused than before you asked. ![]()
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